影片名称：住家男人

上映时间：2017年

影片类型：剧情,悬疑,传记,历史

影片导演：王为一

影片主演：伦纳德·弗里曼,艾普萝·皮尔森,梅雷特·贝克尔,曾翠珊,张承好,张洋洋,段奕宏

资源类别：全集完整未删减版

总播放次数：590

莉(🚏)威亚（安娜(🐺)·加列娜 Anna Galiena 饰）年轻美丽，嫁给了年长28岁的文化权贵卡罗（Antonio Salines 饰），过大的年龄差距，令莉威亚一直(🛏)在情感和情欲(yù(⛄) )上感到(dào )不满足。一次话(huà )剧演出，

之前有些事吧，是我做(zuò )得不(🌿)对，我话也说得不(👨)好听但我这次可被你们给耍了个头，消气了没？如果消(⏺)气了，那(nà )咱们(men )就(jiù )喝一杯，从此以后，咱们就前事不提，和平相处，怎么样？

张采萱松一(🏇)口气，马车(⚓)停下，虎妞(🕒)娘走过来，笑道：我本打算到路口等(🚬)你们，走到这边，实(shí )在是走不(🖱)动了，就想着在这里等。

据说外星人在很多年前留下了一(yī )个能够控制人心智的神器“水晶头骨”，对它虎(hǔ )视眈眈的不仅仅是印(yìn )地安那，还有冷酷无(🅰)情的苏联特工。

Lucky 是一名(🎬)年轻的出租车司机，他移(yí )居英国的(🍧)(de )梦想因经济拮据而受挫。当他爱上(shàng ) Paali 时，Paali 的父亲提(🛬)议假结婚，以便她移民(mín )英国，Lucky 同意了，希(xī )望赢得她的爱。

Sunil is home alone when the doorbell rings. The stranger at the door introduces himself as the husband of Chhaya - a woman that Sunil is having an affair with. The guest immediately asks many uncomfortable questions about their affair, becoming more and more intrusive. The situation is already incredibly tense and then the man pulls out a gun from his bag and aims it straight at Sunil. Pretty soon a shot rings out and the wall is splattered with blood. And that is just the beginning.

省委派李佑安出任海昌市公安局长。李佑安刚到海昌就发现一些不正常的情(qíng )况……市二中的几名学生把(bǎ )两个经常到学校捣乱(🐪)的小混混打伤了，因为(🆘)其(qí )中有一(👜)个是市政法委陆副书记的侄子，市公安局把几个学生抓起来(lái )不放也不给个说法。分管文教(⛩)卫的副市长于(yú )如冰得知这个情况以后，立即打电话找到刚从省公安厅调来的公(gōng )安局长李佑安理(🥏)论了...

早上十点多，容卓正和(hé )许听蓉(róng )从机场抵(🐠)达医院，直奔上(😕)楼(🍯)探望自己(♟)的儿子。

Roger Moore and Stacey Keach star in this Italian-American co-production, and try to be the Martin and Lewis of 70's crime exploitation cinema. The rigor mortis of Roger Moore was never more noticeable as it is here, playing the straight man next to the Keach's easygoing rouge. It's a rather stale exploitation film, with the typical one liners, car chases, shoot outs, and gratuitously bad dubbing of the Italian actors. The film does have one great highlight when Keach takes a gangster's car for a test drive, and in hair-raising fashion, wrecks it through the streets of San Francisco. Unfortunately, it all doesn't work- the comedy isn't funny enough, neither Keach or Moore are particularly convincing (especially Moore, who is as dry as a desert), the violence and stuntwork is middling, the story isn't very engaging, and the ending is painfully banal. There may be just enough `so bad it's good' work that 70's exploitation fans may be entertained, but no one would call it great.

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